Taken on the south west coast of Australia, near Walpole. I was wanting to try out the f1 capability of the lens so my subject moved into deep shade in a shelter. The depth of field is so shallow that only the left eye is sharp. portrait with leica MP, f1 noctilux lens @f1, velvia 100 film / cropped in photoshop and highlights on shirt darkened FEATURED IN PHOTOGRAPHY 101 / TOP TEN PLACE IN PORTRAIT CHALLENGE IN FILM PHOTOGRAPHY
MANY THANKS for your votes, placing this photo as the winner in the Film Photography “People” Challenge in October 2009, and I’m honoured to be featured by the Film Photography Group as well! This photo is of a British Railways Train Guard with his tobacco pipe, checking the railway platform from his Guard’s Van window. Taken in September 1972 on Ilford FP4 film, in my ergonomically all-time favourite camera, my Asahi Pentax S1a with a Takumar F/2.8 lens. Sadly there are still a number of “old film” artifacts evident in the picture in spite of many hours of careful recovery in Photoshop! This explains why I’ve limited the choice of printed medium to cards and canvas. After some additional research by my son, I’m now sure that the railway station is Crewe Station (Lancashire), and that the train is one belonging to London Midland Scottish (LMS), not London Midland Region (LMR) as I’d entered into the photo’s IPTC Caption field. Here’s a close-up of the Guardsman’s badge (or ‘button’), which (provided that it isn’t just a blood-donor’s badge or similar!) might help some UK railway enthusiast discover a bit more about this chap, and the railway network that he worked on. / / This is a 100% crop from the film-scan, with some minor contrast adjustments and with no digital noise reduction. / .
1990. Before marriage. Before porn. Before mortgage. Before drugs. Before finding my husband f*cking my best friend. Before seperation. Before share housing. Before career. Before Brett Tracey. Before divorce. Before abortion. Before pregnancy. Before Familial Exudative Vitroretinopaty. Before hip reconstruction. Before stalker. Before remarriage. Before water birth. Before home invasion. Before Autism. Before Lupus. Before photography. 1/1 no further prints available. Shot using a very old P30 fully manual Pentax camera and standard Ilford B/W film, developed at an instant photo shop somewhere in Brisbane city – I don’t remember where and if I did, it wouldn’t be there anymore. Placed in top 10 in Film Photography group Portrait competition 2009.
In 2003 I experienced a life changing event when I traveled to Tanna in Vanuatu in the Melanesian Islands of the Pacific Ocean with two friends. Tanna is populated by about 10,000 Ni Vans who mostly live in subsistence farming communities. Tourism infrastructure and foreign investment have been limited to less than 50% which has largely preserved their way of life from too much foreign influence. The last time foreigners descended on mass was in WWII when the American soldiers practically took over a few of the islands. This overwhelming influx of the modern world on a traditional culture permanently altered it when a number of cargo cults started up fashioning themselves on American military camps. Many Ni-Vans so overcome with the amazing technology and physical power of these soldiers decided being American must be pretty good so henceforth considered themselves adopted Americans. To show how American they were they rebuilt their villages in the style of the military camps, saluted the stars and strips and even made planes and jeeps out of bamboo. Mixed into this infatuation was aspects of ‘Kustom’ (native) religion and Christianity into a cult called the John Frum cult (short for ‘John from America’). Ever since WWII the John Frum followers have been waiting for the second coming of John Frum with his ship full of cargo for the faithful. Just before my trip the cult had become so troublesome that the army had been called in to disperse them. They did this by simply burning the village down so people would be forced to go home to their native villages (the village happened to be constructed on the side of an active volcano as well which didn’t impress the authorities much either). On their previous trip my two companions were invited to go and speak in the John Frum Village and meet their leader the prophet Fred a rare privilege for an outsider. I spent two weeks in Tanna climbed an active volcano and spent time getting to know the locals who kindly put us up in their village while we ministered to the local church. Two of the people I got to know the best were Jeremy a boy who took me under his wing and Willie an inspirationally spiritual man who was a church leader down there. I took this shot of my friends on the second last day I was there in the local river just below the village of Lonimilo. Having never been out of a western culture before experiencing village life, food, water (yuck), music (with no radio or TV the sound of acoustic guitars and singing were almost constantly in the background, yum) and living with such beautiful family oriented people profoundly effected my whole way of seeing the world. Jeremy and Willie’s smiles kind of sum the whole thing up. P.S. I don’t really see myself as a portrait/ people photographer but the bubble is such a great place to try out new things I thought I’d post it and see what people think. The shot was taken with my first ever SLR camera (a Canon EOS30 with Ilford Delta 100 b&w film) that I bought duty free on this trip. To get this shot I got into the river with Jeremy and Willie paranoid I would slip on the sloping bottom with my new baby, fortunately I kept my feet and got the shot, a precious memory. I’ve also been really inspired by Melinda Kerrs work too. To my great surprise this shot won the ‘B&W – Character – People Shots’ groups Indigenous People Competition in August 2008. It was also a finalist in the Black and White groups Emotion competition back in May 2008 and has somehow ended up on the home page three times.
Clowns at fun scene during the making of film Charlotte’s web in Heidelberg,Australia 2005, Velvia Film 160 / Minolta 7001
In the street, Hanoi, Vietnam, 1995. Film Ektachrome 100 ASA, Minolta X700.
Pentax Spotmatic F film camera
In remote villages in the mountains of northern Thailand, the children in some ethnic groups including Karen Pwo, smoked rough tobacco cheroots and pipes. When schools were established in the 1980s, the practice declined. The parents, also avid smokers and betel chewers, had no idea that smoking was bad for their children’s health. Taken in the early 1980’s with a Nikon FM2, Nikkor 28mm lense and kodachrome slide film. Natural light.
Nikon F2AS / 80-200mm Nikkor lens at 160mm / Agfa 100 asa monochrome negative Venice Italy
I used my Pentax K1000 and 50mm lens to try out the Fuji Velvia 100 slide film. I exposed TTL at 400 ISO, and then asked to pushed the development by 2 stops to make up for the under exposure. A little darker than I expected, but I do like the contrast and rich colour. Moore St, Adelaide City
1. / Thank you to fabulous Flowers Group for featuring my artwork “Poppy”. / 2. / Thank you to the Dandenongs Group for featuring my artworks “Under The fairy Tree Forest 2” and “Little Tree Frog”. / 3. / Thank you to Country Victoria Group for featuring “Old School House 2002” and “Nilma North, Victoria, Australia”. / 4. / Thank you to #1 Artists of Redbubble Group for featuring “Katie and Ada”. / and / Finally / 5. / Thank you to Pets Are Us Group for featuring “Katie and Ada”. Thank you and so very much appreciated.
Spring in Northcote, Melbourne. Holga 120 CFN with cross-processed Fujichrome Provia 100F.
I used my Pentax K1000 and 50mm lens to try out the Fuji Velvia 100 slide film. I exposed TTL at 400 ISO, and then asked the photo developer to push the development by 2 stops to make up for the under exposure. I am impressed with colour and the level of detail in the shadows that emerged from pushing the Fuji Velvia two stops, the photos are a little darker than I expected and slightly grainy, but the rich colours are a bonus. I’d be interested to know which photo you prefer. 1. 2. 3. 4. 5. 6. 7. I really don’t think it is possible to achieve this effect with digital images and Photoshop, but someone will no doubt will prove me wrong! Oh, and if anyone knows what type of flower is Number 6, be much appreciated if you could share it with me.
Messing around with my old Yashicamat roll film camera few years ago down at Portavogie harbour on the Ards penninsula, Co down, Norn Iron. Some of these old boats are 50 or 60 years old and where still workin’! (Like meself!) / Shot in Kodak 120 (2 1/4 square) colour, and scanned from 5” print to pc.
© All Rights Reserved – No Usage Allowed in Any Form Without My Written Consent. Photographed in London, UK. Canon T-70.
© All Rights Reserved – No Usage Allowed in Any Form Without My Written Consent Bruges, Belgium. Canon T-70
Lomo fisheye expired+ x-pro
© All Rights Reserved – No Usage Allowed in Any Form Without My Written Consent. From Wikipedia, the free encyclopedia: The Trocadéro, site of the Palais de Chaillot, is an area of Paris, in the 16th arrondissement, across the Seine from the Eiffel Tower. Canon T-70
Some 20 odd years ago ,my wife with one of our Afghan hounds.. Donovan…Yarabis Cuhusail at Cairncaver.. which means …’the warrior of the border, from down there (Dublin) , now resideing at the wood of the buriel place overlooking the waters of the under the lough salt mines’.........anyway.. !! This was at Balmoral in Belfast, Northern Ireland. Short Brothers and Harland dog show. He came back the following year more mature and went on to win best in show! Always a gentleman. Practica BC3 Kodak Gold 100 Scanned to pc from neg.
For those using film, processed yourself or by a print shop, monochrome or colour, we appreciate the beauties of the original photographic process (heck, even Polaroid).
Group Avatar: Zeus over Antarctica- Juilee Pryor
Taken on Kodak Highspeed Infrared Film, scanned at 3600dpi.
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