This was a white apartment block on the beach at Santa Monica, California. I wanted it to reflect the colourful characters that frequent that strip so decided to give it a bit of ‘bling’ or the X-factor This was a normal colour transparency image of a white building with blue trimmings. I scanned the image then, using the Curves control in Photoshop, I pushed the tonal range until it was almost solarised. This simulates the effect that happens when colour transparency film is processed in colour negative chemicals, known as cross-processing. Top Ten in Alternative Processes & Experimental Photography group challenge.
Passion, intensity, mustard gas… From Calvin Klein.
^MUCH BETTER VIEWING EXPERIENCE VIEWED LARGER MY FIRST HOME PAGE FEATURE Thanks for dropping in your viewings,comments and if i’m lucky FAVOURITES are greatly appreciated. The Queen Victoria Building is currently undergoing a facelift at $37.5 / million , one of the features is upgrading the paintwork to victorian period colours. This image shows “The Grand Staircase of Sydneys Grand Queen Victoria Building, and is an example of how grand old buildings can be restored and still be used as money making concerns, in this case a grand shopping experience The Queen Victoria Building, now affectionately known as the QVB, was designed by George McRae and completed in 1898, replacing the original Sydney markets on the site. Built as a monument to the long reigning monarch, construction took place in dire times, as Sydney was in a severe recession. The elaborate Romanesque architecture was specially planned for the grand building so the Government could employ many out-of-work craftsmen – stonemasons, plasterers, and stained window artists – in a worthwhile project. Originally, a concert hall, coffee shops, offices, showrooms, warehouses and a wide variety of tradespeople, such as tailors, mercers, hairdressers and florists, were accommodated. The QVB fills an entire city block bound by George, Market, York and Druitt Streets. The dominant feature is the mighty centre dome, consisting of an inner glass dome and an exterior copper- sheathed dome. Glorious stained glass windows and splendid / architecture endure throughout the building and an original 19th century staircase sits alongside the dome. Every detail has been faithfully restored, including arches, pillars, balustrades and the intricate tiled floors thus maintaining the integrity of the building. / The visual message of Sydney’s coat of arms, on the cartwheel stained glass window, is that the beehive depicts business, the sailing ship – trade, and the dolphins – the harbour. Panel 1, on the left hand side, represents the Council of the City of Sydney, and symbols of architecture, while the letters I.G.B. on panel 3, on the right, represent Ipoh Gardens Berhad, the Malaysian company who restored the QVB. The symbols are of property developers – the builders. The bottom central panel represents the heraldic symbol of a finished building and the joining of two hands denotes the fusing of two cultures. There are many interesting and charming exhibitions and attractions throughout the building, along with portraits of the Queen. There is also a letter from Queen Elizabeth II to the Citizens of Sydney to be opened and read by the Lord Mayor of Sydney in the year 2085. Outside the QVB, on Town Hall Place, facing The Town Hall are the Royal Wishing Well and Queen Victoria’s statue. For More Information : http://www.ipoh.com.au/IPOH/QVB/me.get?site.sectionshow&PAGE134 Equipment – Nikon D300 Sigma 10-20mm lens / Technique : HDR 5 Bracketted images
Artwork Listen to: / AYREON – 01011001 – / and / DREAM THEATER – Octavium – Worktime: 8 hours
studio lighting/cross processed 35mm slide film.
inspired by: Silent Descent – Duplicity Lyrics She asks to look at her, but only with her eyes, / Can I ask you a question? No. / Sitting there as if you don’t already know, / You act on innocence though its obviously what you lack the most. / Untouched, “unbreached”... best described as perfect, / You offer everything just by looking at me. I feel the vibes as the pulse runs through me, / It never was mine, it never was right. / I feel the bass in my veins like the blood running through me, / It excites yet offends me. / I can’t put up with this much longer, / Feel your waist as the bass grows stronger. / Sifting through the lies, never was surprised, / Tangled in your eyes and unwinding the ties. If this kills me then I have succeeded, / Pain is nothing new to me. / Dreaming of the skies now I believe in it, / Singing from duplicity. Does the path soon come to a close? / Don’t know where it began, / I feel the sand creep in beneath my feet, / Opening my eyes I clutch to the words: / Don’t look back – don’t look down.
Pentax K10 D: 8 second image, natural light, ISO 400, no editing. second in an annual series…
RESTHAVEN CEMETERY IN BATON ROUGE LOUISIANA
This picture is being brought back to be included more appropriate groups. This photograph is part of a series titled “Maude’s Delight” Maude’s Delight “An intimate study of trees using impressionist in-camera photographic techniques”. These photographs, inspired by a scene from the film “Harold and Maude”, are colorful abstractions of nature intended to evoke an interpretation from each viewer. Harold and Maude is a film about freedom. These images are about the freedom of expression and authenticity through digital photography. This photographer feels the character of Maude in the film would be delighted with these images and would urge viewers to visually “feel, and explore”. Because of the implied nudity and the impressionist abstraction is of a tree parts these photos are now taking on the caricature of “Nude Trees”.
Playing around in a couple of my editing programs, came up with this. I’m not very good at coming up with names for abstract art, any suggestions would be a great help. I don’t like putting a piece with no name, smiles. I got lots of abstract art pieces and because of no titles, I don’t upload them!! / Thank you for viewing, always!! / Named by my artist friend, Wayne Holman / A really cool title, I love it !! Thank you Wayne!! / /
...........................from last week! / it was cold,frezing minos 27 celcius but I could`t resist because it was a beautiful sunrise and I could`t miss! / on far end looks like couds but it`s not; it is steam coming from the water! / ...enjoy it!... / !! / 735 views;....282 comments;...Favorited by 65 people;...featured three times in different groups;....placed in top 10 two times ;...one top ten winner and represent one group for a challange!
Evening view of Manhattan shot from the roofs in Brooklyn, processed with textures.
As with the title, this was taken in Port McNicoll, Ontario, Canada. The first of four experiments with the Palladium process using 8×10 large format negatives of various landscapes and scenery found in early spring of 2009. In fact you can see the fibers of the watercolor paper that this particular image was printed on, an aesthetic that I don’t particularly dislike.
Mission Dist. San Francisco
A re-working of think / / Why? because I don’t have a lensbaby!
I recharacterized this image using several methhods of photoshop to achieve this colorful effect. Experimental processing. / This art work is registered copyright© 2008 and any copyright infringement will be prosecuted to the fullest extent of the law in the USA and International. Should be viewed larger:)
Adobe Illustrator
I took this as a close up, i love the snow so much, it’s just beautiful,
So she turned to look back for the last time, and headed into the snowy white forest. fullview please
especially for the ladies :-)
A group to show your creative talents outside the normal photographic methods. We want works that break down the collective thought of what photography is, and show that often thinking outside of the lens can produce very beautiful works in their own right.
Works here can be done using cyanotypes, van dyke, liquid light, etc. They can be montages or photograms, they can be works where you have drawn over the top of the photograph. It could have been that you used a camera that is not considered as the “norm”, like polaroids or a pinhole. They could have been photographs that were cut/ripped apart and stitched/taped back together. You could have an interesting use of toners that show brush marks or splatters. You could have scratched into the negative. Digital wise you can use Photoshop to create wondrous works that break down reality that other photography groups won’t allow, but the works must have a noticeable photographic beginning.
I have featured some of the works that I believe epitomises what this group is all about. The artists have experimented with photography and photographic processes to develop works that go beyond the normal approach while still maintaining a sense of resolve.
Check the group rules before posting.
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