This Everglades alligator doesn’t seem to know he’s wearing a hat of weeds. Anhinga trail in Homestead Florida USA Everglades National Park is a great spot to view large alligators. Nikon D2H 180mm lens EI200 “Alligator with hat of weeds” was featured in Focus and Lighting 11/07/09 / Top ten in the Dangerous Animals challenge 8/07/09 / “Alligator with hat of weeds” was featured in, In the Eyes of Danger 8/08/09 /
from Grandma’s garden —— / Canon EOS 450D / Rebel XSi / 60mm (macro) / f/2.8 / 1/60 / ISO 320 hairy berry has been featured in the Canon DSLR owners group + Backyard Macro and Closeups and Focus and Lighting!!!
Taken at a local cemetery. 105mm macro lens, handheld, natural lighting. You can see a larger version here
Featured in Focus and Lighting – Nov 6th, 2009 / Featured in Happy Haven Photography – Sep 21st, 2009 / Featured in AMERICAS ~ Rural, Urban, Wild, Free – Aug 7th, 2009 / Featured in 2-a-week – Aug 2nd, 2009 / Challenge Win in 2-a-week – Aug 2nd, 2009 / Featured in MASTERS OF THE SCENIC – July 29th, 2009 / Featured in ImageWriting – July 29th, 2009 / Featured in canon 450D/XSi – July 28th, 2009 When I went to Grand Tetons I had a few places in mind that I just had to photograph. Moulton barn on Mormon Row was one of them. I stopped by the barn a couple of times, took some shots and my many visits finally paid off when I saw a buffalo herd grazing peacefully very close to the barn. I waited a little bit for them to come close enough so I could include one of them in this shot. / This beautiful, old homestead brings memories of the past but a wild buffalo roaming free makes it even more special. Taken in Grand Tetons National Park, Wyoming, USA Canon XSi w/18-55mm lens, f/6.3, 1/250 sec, ISO-200, 36mm.
Shot of Derwentwater in the English lake district national park, cumbria. / Shot with a Nikon D300 and Sigma 10-20mm lens. /
It’s been an awesome summer of work w/ Kenai Fjords Tours. My regular tour being a trip to an extremely remote area of Kenai Fjords National Park, the Northwestern Fjord and NW glacier tour. I have seen many remote and wild places. The glacier grows an awesome blue in a hazy afternoon… reflects in ice filled bay… and the glacier sadly self destructs in amazing shows of massive power. It is water in powerful motion. / Nikon D-80, Circular polarizer, 18-55mm
Another of the beautiful features of Noosa Heads, is Weyba Creek and Lake Weyba. Just before the Noosa River exits to the Pacific Ocean, there is a offshoot called Weyba Creek. This feeds from Lake Weyba, nestled in the Noosa National Park area, Queensland, Australia. These river systems are all part of the Noosa Biosphere, and are home to many species of bird and animal life. Much of it, untouched by man, which is the way is should stay… Canon 50D, 16mm, 5:00pm. Available Large and best viewed Large! :)
A waterfall. / Rainbow falls / Rainbow falls park.
Featured in Focus & Lighting – November 6, 2009 / Won British Columbia Challenge and Featured in Pacific Northwest – September 5, 2009 / Featured in Live and Let Live – July 24, 2009 / Featured in Your Magic Place – July 21, 2009 The Chilkat Pass is a mountain pass on the border of Alaska, United States, and the province of British Columbia, Canada, at the divide between the Klehini and Kelsall Rivers just northwest of Haines, Alaska. It is located in British Columbia’s side of the border. It is used by the Haines Highway and was the route used by the Dalton Trail during the days of the Klondike Gold Rush. The pass is named for the Chilkat subgroup of the Tlingit people, who reside in the Haines area and until the gold rush controlled use of the route. This pass is 3,510 ft. high. / Canon EOS Rebel XTi; Sigma 150-500mm OS lens / 1/320 sec / F/6.3 / 150mm / ISO 100
edit marker
the views just keep coming, #3 in a saries
two prong horn antelope looking at camera, image taken in Rosebud County, Montana, USA. canon DSLR/70-300mm lens
selfportrait by The Creative Minds / Sabine A. Rusted * Bavaria
Canon EOS 400D /
Remarkable Rocks, / Flinders Chase National Park / Kangaroo Island, South Australia / (ref fotoWERNER 3H0911.3191) / Nikon D300
Canon EOS DIGITAL REBEL XTi / Date/heure original 2008-08-12 14:14:14 / Mesure de la vitesse de l’obturateur 1/150 s / Indice d’ouverture f/5.6 / Vitesse estimée ISO ISO 200 / Indice d’exposition biaisée -1.00 eV / Mode compteur Partial / Flash Flash did fire, compulsory flash mode / Longueur focale 175 mm / Balance des blancs Manual white balance
the one and only, featuring The Boss / Canon 20d,28mm, ISO 200,1/320, f/11.0
Canon EOS DIGITAL REBEL XTi / Date/heure original 2009-06-12 12:35:14 / Mesure de la vitesse de l’obturateur 1/150 s / Indice d’ouverture f/5.6 / Vitesse estimée ISO ISO 200 / Indice d’exposition biaisée -1.00 eV / Mode compteur Partial / Flash Flash did fire, compulsory flash mode / Longueur focale 250 mm / Balance des blancs Manual white balance
best viewed using the VIEW LARGER function / Canon EOS 400D /
view 2…..still the same
Seashell Camera used. / CANON EOS 450D
NO websites or writings in the pictures.
*JOURNAL’S SHOULD BE Discussions of photography and or instructional to others.
WRITING’S SHOULD BE About things that can be helpful and instructional.
OUR PURPOSE:
CENTER THE SUBJECT (Good Focus) NO Nudes
We are hoping to give people a area to show case their art, and also have a group that assist other members in improving their talents.
I’m hoping to find a way that groups can inter act better, but I’m still thinking up ideas.
FlowersEtc Originater and in charge of featuresGail Bridger -Co-Host and in charge of our challenge’s
NEW Larry Grayam- Co-Host and our Photojournalist for the “HELPFUL TIP’s” section.

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NEW* Item “Featured Member Award” certificate 2009 & “Challenge Excellence Award” New “Master Photographer Award”

- “Focus and Lighting” member badge.
Feel free to copy and paste Badge on your own profile page. 
SAVE WILD MUSTANGS Check this link- Click
THIS IS “SPRING” A RESCUED WILD MUSTANG

Challenge CANCELED “What is it?” Only had two good entrys. As a conselation prize, the two entrys will be featured on homepage.
1- “What is it?” BY SWEEPER
2- “Quarter in a Bottle Cap” by Barbara Morrison
#1
#2
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Larry’s group All Around Florida Click
NEW our weekly “HELPFUL TIP’S” SECTION,
courtesy of LARRY GRAYAM, retired photojournalist. of Vero Beach., Florida—-—-—-—-—-—-—-—-—-—--@-—-—-—-—-—-—-—-—-—-—-——
“Revisiting On Depth Of Field”
Depth of field (DOF) refers to that part of a photograph that appears to be in focus. It exists within a plane perpendicular to the axis of the cameras viewpoint. The photographer chooses which affect of depth of field to choose. Narrow DOF tends to separate the subject from an out of focus background, in this image notice how a line of sharpness moves through this photograph of a tray of sewing bobbins.
While greater DOF incorporates the background as an essential element in the photo. Increasing the light allowes for a stopped down aperture and a greater depth of field. 
A photographer has three tools to manage the DOF, choice of lens, aperture and focal point. The focal length of a lens affects one element of the DOF available from that lens. Generally speaking the shorter the focal length of the lens, the greater the DOF. When set at the same aperture and focal point a longer lens will always have a shallower DOF then a wide angle lens will. A focus point 2 feet from the camera will have less DOF than a focus point of 10 or 100 feet. Aperture selection is the third tool. When a lens is stopped down to, let’s say f22 it will always have greater DOF then if shot wide open at f2.8.
An example of a depth of field chart illustrates the concepts of managing DOF. The cells give two distances the first is the closest distance to the camera that the subject will be in acceptable focus. The later number is the furthest distance from the camera that the subject will be in acceptable focus.
Hyperfocal distance is a focus point that will give the greatest range of DOF keeping acceptable focus only to infinity but not beyond.
Example
24mm lens aperture of f11, focused to 9’ gives a DOF of 4’4”/infinity
200mm lens aperture of f11, focused to 550’ gives a depth of field of 282’6”/infinity
So as the chart points out if you were shooting with a 200mm lens at f11 and the main subject is 290’ from the camera focusing on infinity would put the prime subject out of focus. But focusing to 550’ moves your DOF forward so the subject and background will be sharply focused.
So have fun and happy shooting-Larry
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INDIAN WATERFALL
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