Charcoal drawing and Apophysis image, layered in PaintNet.
Cougar taken at Arizona Sonoran Desert Zoo near Tucson, Arizona.
What can I say – the Equine group got me inspired again! Hope you like it!
Collaged painting with Apophysis overlays
Digitally altered oil pastel drawing with Apophysis layers All profits from the sale of this work will be donated to the wildlife victims of the Victorian bushfires.
Pastel drawing and Apophysis layers Horses / Tori Amos I got me some horses / To ride on, to ride on / They say that your demons can’t go there / So I got me some horses / To ride on, to ride on / As long as your army keeps perfectly still And maybe I’ll find me a sailor / A tailor / And maybe together we’ll make mother well / So I got me some horses / To ride on, to ride on / As long as your army / Keeps perfectly still You showed me the meadow / And Milkwood and Silkwood / And you would if I would / But you never would / So I chased down your posies / Your pansies in my hosies / Then opened my hands and they were empty then Off with Superfly / Sniffing a Sharpie pen / Honey it’s Bill and Ben / Off with Superfly / Counting your bees / Oh me honey like / One two three / The camera is rolling / It’s easy like one, two, three And if there is a way to find you / I will find you / But will you find me if Neil makes me a tree / An afro, a pharaoh / I can’t go, you said so / And threads that are golden don’t break easily I got me some horses / To ride on, to ride on / They say that your demons can’t go there / So I got me some horses / To ride on, to ride on / As long as your army keeps perfectly still Horses
Pastel drawing, photo and Apophysis layers
Pastel drawing and Apophysis overlay
Pastel drawing, scanned peacock feathers and Apophysis overlays
Apophysis composite
Pastel drawing, scanned peacock feathers and Apophysis overlay
My first collab with Craig Goldsmith with dear thanks for the use of his photos from Egypt / check out his portfolio :)
Apophysis composite
Pastel drawing and Apophysis overlays Under the wave it is altogether still, / Alive and still, as nourishing as sleep, / Down below conflict, beyond need or will, / Where love flows on and yet is there to keep, / As unconstrained as waves that lift and break / And their bright foam neither to give or take. from The return of Aphrodite by May Sarton
Fractal explorer composite my leaves, my green filaments / like fingers spread / to catch the suns attention Judy Grahn
Fractal explorer composite Remember the earth whose skin you are. / Red earth yellow earth white earth brown earth / black earth we are earth. Joy Harjo
Fractal explorer composite we are the trees of the earth / our roots stretching deep and strong, / the stone of the firmament, / sister to the stars / that gave birth to the soil. Alma Luz Villanueva
Fractal explorer/apophysis composite I am luminous with age / In my lap I hold the valley. / I see on the horizon what has been taken / What is gone lies prone fleshless. / In my breast I hold the middle valley / The corn kernels cry to me in the fields / Take us home. Meridel Le Sueur Sold as a poster in March 2009 to a redbubble buyer
Pastel drawing, scanned peacock feather and Fractal Explorer overlays Let me not mar that perfect dream / by an auroral stain, / but so adjust my daily night / that it will come again. Emily Dickinson
Charcoal drawing, photo and fractal composite / My International Womens Day offering (a little late I know :p) This is dedicated to all the largely unsung women who have devoted their energy and time to promote the cause of women’s rights, creating a safer world for our daughters to grow up in. Thanks for your comments and faves.
Watercolor and pencil on illustration board, / 15×20 / 2009 Related work: / The Waterman: Unio Mystica This is the second panel of The Waterman triptych. While the central panel represents the Christ as the macrocosm, the side panels are the microcosm, represented by the Four Elements and their manifestation in the physical world. Ignis Aeris is the yang pillar, the elements Fire and Air. Volatile and oriented upward, these elements are connected to the realms of the abstract thinking and intuition. Fire is the energy, passion and primeval instincts, that need to be balanced by the intellect (Air) in order to manifest in a most constructive way. The certainty of the Divine, that comes from the heart and from a primal knowledge, needs to be shaped by the intellect in order to become less aggressive and to expand (the butterflies rising from the fire and flying upward). Only through a perfect combination of faith and reason we can access the Divine and understand Its Laws. At the basis of the picture, handling the creative power of Fire, we see the Magician of the Tarot, which I represented wearing the skin of Nemean Lion, just like Greek hero Herakles. He represents the first step in the Hero’s Journey, or that path that each one of us need to find out and go through in order to become Whole with the Universe. The Magician is the one who uses his power of will (Fire) and mental skills (Air) in order to find his own path.
Apophysis composite Go through the ear to the center / where sky is, where wind, / where silent knowing. Rumi Featured in dimensions / Sold in June 09 as a laminated print to an unknown redbubble buyer
Apophysis composite We’ve come again to that knee of seacoast / no ocean can reach. Tie together all human intellects. / They won’t stretch to here. Rumi
Apophysis composite you can add up the parts – you won’t have the sum / you can strike up the march – there is no drum / every heart to love must come / but like a refugee Leonard Cohen
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